Adobe Audition Cc 2020 v13.0.8.43 Full Version adalah salah satu aplikasi terbaik yang akan membantu anda untuk melakukan berbagai hal yang berhubungan dengan file audio dan juga rekaman. Aplikasi yang satu ini menawarkan berbagia macam fitur berkualitas untuk melakukan editing suara dan juga mixing audio. ADOBE AUDITION 1.5. Page 292(Pulse Code Modulation) PCM is the standard method used to digitally encode audio and is the basic, uncompressed data format used in file formats such as WAV and AIFF. Cache files with the extension.pk that enable Adobe Audition to open, save, and Peak files redraw audio files more quickly.

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Integrate Adobe Audition into your post production workflow! Utilize Audition’s powerful tools for fixing common audio problems like background noise, hum, clipping, clicks and pops.

Adobe Audition can quickly clean up audio and fix problems that Premiere Pro cannot. In this post we cover common audio problems that you may encounter in your video editing and post production – and how to address these issues using the tools within Adobe Audition.

If you’re looking for tips on a Premiere Pro to Audition workflow, check out my previous posts on roundtripping your video editing clips and sequences into Audition and back to Premiere.

Noise Reduction in Audition

Adobe Audition has powerful noise reduction tools that be accessed in the Waveform Editor. If you are in a Multitrack Session, double click on a track to go into the Waveform Editor.

Click and drag to select several seconds of background/ambient only sound. The more time you have to sample the better your results will be. Make sure you do not select any audio with voices or other noises!

Go to Effects > Noise Reduction (process). Click “Capture Noise Print” and then “Select Entire File”.

Click “Noise Only” to hear what you are removing (deselect it before you click apply). Click the green button on & off to toggle the effect as you adjust the “Noise Reduction” & “Reduce by” sliders.

If you prefer shortcuts, use Shift +P to save a noise print and CMD/CNTRL/Shift + P to open the “Noise Reduction” Effect. I suggest making shortcuts for effects you commonly use (do this by accessing the shortcut editor in the menu bar, Edit >Keyboard Shortcuts).

Adaptive Noise Reduction

Adaptive Noise Reduction automatically learns what noise is, as long as you have background noise before people start speaking. To take advantage of this tool, it is a good habit to always record 4-5 seconds of audio before your talent starts speaking.

In Adobe Audition, you can also combine Adaptive Noise Redution with other effects in the Effects Rack (which you can’t do with standard Noise Reduction). It is part of several presets like “Clean up and Level Voice-Over” that can help you get started if you are new to audio effects.

Remove Hum in Audition

This Adobe Audition effect comes in handy if you are doing a lot of location filming where you can’t control the production environment.

Use this to remove AC hum (lights, power lines, electronics). In my example I was picking up hum from an Xbox 360 in the room.

Go to Effects > Noise Reduction/Restoration > Dehummer. Select your preset based on country. I’m in the states so I picked 60Hz.

Auto Heal & Spot Healing

You can use Auto Heal & the Spot Healing Brush to remove clicks, pops, and other short noises you want to remove from your audio.

Zoom in by pressing the plus key and select the pop. Right click and select “Auto Heal” (Comm/Control + U).

You can also paint a selection with the spot healing brush(B) by dragging over the area to fix in the “Spectral Frequency” display.

Using the Diagnostic Panel

Access the Diagnostics panel in Audition by choosing Window > Diagnostics from the menu bar. The powerful diagnostic panel provides tools to fix clipping, clicks and pops in your audio.

The Declipper is handy for repairing clipped audio. Select the DeClipper Effect in the Diagnostic panel. Click Scan and your clipping areas will be listed. Select a listed problem to move to it in the waveform.

You can fix each one at a time or click Repair All.

Note: Depending on your audio it may still appear clipped, as Audition works in 32 bit floating point. Decrease the amplitude or use Normalize to see that the audio isn’t actually clipped. I have had varied results with the DeClicker, so if it dozen’t fix your issues, you the manual method mentioned above using Auto Heal & Spot Healing Brush.

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Utilize a Premiere to Audition workflow to take advantage of these great audio tools in your video editing projects. For more details on working with audio in Adobe Audition see Adobe Help.

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Instead of a mouse, use your iPad to control your faders and other controls in Adobe Audition (mute, solo, automation). Using a control surface frees you from the keyboard!

The iPad is quickly turning into a powerful tool for filmmaking, with new apps appearing each month. To see some of the latest apps and post productoin tools check out HandheldHollywood.com, a site focused on iPad/iPhone filmmaking apps and gear.

I spend a bit of time in Adobe Audition working with audio, and using a mouse feels cumbersome at times. I personally prefer the tactual touch of a fader or virtual fader over using a mouse, and this is where control surfaces come in. Control surfaces are devices that control the faders and other controls (mute, solo, automation) in Audition or other Digital Audio Workstations (DAW).

Control Surfaces aren’t currently supported in Premiere Pro, but they are in AdobeAudition, FCP 7, and Logic Pro.

You can easily spend $200 on a dedicated control surface, but there is a cost effective alternative: use your iPad. AC-7 Core ($7.99) is a control surface that runs on your iPad. I previously mentioned this useful application in my 10 filmmaking apps under $10 article.

As an editor who also does audio (and wears multiple hats), I find the AC-7 good for basic post-production audio work. It enables a quicker workflow and in many ways is easier to use than a mouse.

The other big plus of using a control surface is that it frees you from your computer. You can perform basic functions like recording a voiceover from across the room!

Getting Up and Running

To start using AC-7 Core in your post production workflow you’ll need to set it up. The installation and configuration are surprisingly easy (takes 5-10 minutes) First, download the app from iTunes.

It works on both Mac & Windows iPads running (iOS 4.2 and later) in a variety of apps, including FCP 7. There are written directions and a video tutorial for both Mac & Windows installation.

It might be necessary to manually reconnect your iPad if it was turned off after a session. Go to Utilities > Audio Midi Setup. Then double click on Network, then select the iPad and click Connect. If you will be using this workflow a lot it’s a good idea to put “Audio Midi Setup” on your dock (for Mac users).

Surprisingly the AC-7 Core dosen’t have latency issues (delay) when you move a fader and works with no hiccups wirelessly over a Wi-Fi connection.

If you prefer using an iPhone or iTouch there is also a AC-7 mini.

Basic Operation in Audition

You have a choice of Modes, to emulate the settings in various DAWs. The Generic Mode works with Audition and generally any device that uses Mackie Protocol.

You can pick a skin, which gives you a light or dark interface. The faders are responsive and clicking the meters button lets you see the audio volume for each track.

You can select tracks, mute and solo them. You have transport controls to play, record, jog and shuttle. One of the most useful features for me is the ability to record audio keyframes in Adobe Audition, which we’ll dig into a little deeper now.

Audio Automation in Audition (Recording Keyframes)

Often when you have music in your video edit you want to dip it down when someone is speaking, and then bring it back up when they stop. This is called “riding the levels” or adjusting gain. Instead of doing this manually you can record keyframes when you move the fader using Automation.

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The most common workflow for editors is to send your finished edit from Premiere Pro to Audition. If you need a refresher on getting from Premiere Pro to Audition I previously wrote about editing clips & sequences in Audition.

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In Audition you need to be in a multitrack session to use automation.

By Default each track is in Read Mode. To record keyframes change this to Write. You can do this in Audition or click the Write button on the AC-7. Click the Play button and drag the fader to record key frames, and press the Stop button when done.

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To see the keyframes you recorded, click the twirly beside the mode. After you stopped recording, the mode changed to Touch. In this mode key frames aren’t recorded till you move the fader, and when you let go, it returns to the previously recorded keyframes. Latch mode will stay where the fader was when you let go. You can click the eraser icon to clear all your recorded keyframes.

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For $7.99, I think the AC-7 Core is a no brainer if you have an iPad and spend a bit of time in Audition or other DAWs. It does well what it is designed to do – speeding up and streamlining your Adobe Audition audio workflow.